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Carlos de Haes : ウィキペディア英語版 | Carlos de Haes
Carlos de Haes (January 25, 1829 – June 17, 1898) was a Spanish painter from Belgium. He was noted for the Realism in his landscapes, and was considered to be the "first contemporary Spanish artist able to capture something of a particularly Spanish 'essence' in his work".〔 He was cited along with Jenaro Perez Villaamil and Aureliano de Beruete as one of the three Spanish grand masters of landscape painting, the latter of which was his pupil. In the 1850s, Haes was involved in the rise of the Realist school of landscape. Coincidentally his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time of an academic opening for the Painting School of the Real Academia de Bellas Artes de San Fernando, the selection to be made by a landscape competition. In 1857 he became the first professor of landscape painting, the first in Spain to teach painting directly from nature. In 1860, he became an Academic at the Royal Academy. In 1876, he presented at the National Exhibition with ''La Canal de Mancorbo en los Picos de Europa'' ("The Canal of Mancorbo in the Picos de Europa") later acquired by the Spanish state to be part of the collection of the Museo del Prado, because of its significance as a realistic Spanish landscape painting. ==Early years== Haes was born in Brussels to a family of bankers.〔 The family moved to Spain, settling in Málaga in 1835, where Haes studied with the Neoclassical portrait painter . In 1850, Haes decided to continue his art training by studying with the great Flemish landscape masters. His encounter with Joseph Quinaux, who mentored Haes from 1850 through 1855, influenced his painting outdoors, and defined his artistic works as a whole. In Brussels, he came in contact with other notable European painters at the annual exhibition of the Brussels Salon. He traveled throughout Holland, France, and Germany.〔
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